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同期ライセンス 101: プロデューサーが映画、テレビ、ゲーム、広告に音楽を取り入れる方法: 同期ライセンス、音楽スーパーバイザー、映画音楽、意思決定ポイント、ワークフローの手順、よくある間違いについて説明する、独立系プロデューサーやアーティスト向けの実践的な音楽ビジネス ガイドです。

What sync licensing means

One-stop is a promise, not a vibe

What to include in a sync pitch package

Jurisdiction notes

Sync readiness table

ItemWhy it mattersProducer action
Master ownershipBuyer needs recording permissionConfirm who can sign
Publishing splitsAll writers may need approvalRegister and document shares
SamplesUncleared samples block placementsClear or replace
Stems and editsEditors need usable deliverablesPrepare instrumental, alt, 15/30/60, sting, stems

Sync prep steps

  1. Build a clean cue sheet package: Title, writers, publishers, PROs, IPI/CAE, ISRC, contact, BPM, key, mood, and explicit clearance notes.
  2. Verify one-stop status: If any writer, publisher, sample, vocalist, or label must approve, do not market it as one-stop.
  3. Prepare alternates: Instrumental, no-drums, no-melody, 15/30/60 edits, sting, and stems make clearance review easier.
  4. Negotiate use, media, term, and territory: A web-only brand video is not the same as worldwide paid advertising in perpetuity.
  5. File licenses with cue sheets: Sync fees, backend royalties, and neighboring rights depend on clean metadata.
  6. Keep a rejection log: Track why cues were passed over: rights uncertainty, bad edits, weak metadata, wrong mood, or missing instrumental. Fix the system before pitching more.

Learning path

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Sync licensing FAQ

Can I pitch beats with leased samples?
Only if the lease and sample licenses allow the intended sync use.
Does sync pay royalties later?
Often there is an upfront fee and possible public performance royalties depending on use and territory.
Do supervisors accept uncleared samples?
Usually no for professional placements. Chain-of-title risk is a fast rejection.
Is this legal advice?
No. It is an operational guide for preparing cleaner rights packages.